Valentine’s Day Art Special!

Valentine’s Day Art Special!

Because of my romance-themed books (Love and Capes, Long Distance, the mysterious Project: Burgundy that you’ll find out about soon, and Something Else Awesome that I Can’t Say yet), I’m often associated with Valentine’s Day. That’s fine with me. I’m thrilled to have a spotlight every February.

It’s two weeks until Valentine’s Day, so I’ve decided to draw a different super-couple couple every day. I’ll post process stuff to Instagram, Twitter and Facebook, and then, at some random time, I’ll make it available to purchase.

It’ll be first come, first served for these 9×12, full-color originals. They’ll be $80 (all prices include domestic shipping) on the day they go live. $100 afterwards. And then, on the 20th, I’ll yank them all back and then you can buy them at shows for $120.

Also, if you want to pre-buy them, contact me and we’ll set that up for the “day after” price of $100. I’ll still post the work, but it’ll be marked as pre-sold.

The Hawkman and Hawkwoman, seen in the header above,  one will post at 3:00pm Eastern Time today.

So I Went to the Festival of the Arts

This past week I went to the inaugural EPCOT Festival of the Arts. I had a great time at it, and I really hope that Disney does this again.

It was very much a first year event. I think it was a more popular than they expected. Several of the desserts sold out each day. I almost didn’t get my Pop’t Art! And, I never did manage to get the almond cake. Also, the Festival of the Arts print of the event sold out. It was a little frustrating as an attendee, but I’m glad to see it was doing so well.

The art at the event wasn’t what I was expecting either. Though, to be honest, I didn’t really do a lot of research. “EPCOT is having an art and food event” is enough to get me there without a lot of further reflection. The art was very much of the Wonderground/Art of Disney stripe, which was great. I was expecting a little more generic art, rather than Disney art. Kind of like that one “wine and cats” lady who sets up at Food and Wine. So seeing the more stylized Disney stuff, and the artists, was delightful.

I rather liked the Disney art, and I’d like to see a lot of more of the Wonderground artists next year. And, I’m hoping next year has a little more Scrooge art, too, once DuckTales hits the air. Hint hint.

I did find the areas hard to navigate, but that’s because as opposed to geography, everything was art based. I think there’s a natural free association between countries than between art and countries. So, I know that the Japan stand is in front of Japan, and I can make some connection Brazil and Morocco to understand that the Brazilian food (and their delicious cheese bread) is between Morocco and France. Maybe it’s that the World Showcase countries act as guideposts.

For Festival of the Arts, the food stands are themed by art. So the The Painter’s Palate pavilion, the E=A^2 pavilion. It’s on theme, but it doesn’t help you know what’s at that pavilion or what food is there. I don’t know a way around that.

The other minor complaint was that the food selections were very dessert heavy. Don’t get me wrong: I love dessert. But, for the wander-and-graze approach, I found less entree/protein choices to balance out the oh so tasty desserts. As such, there was more wandering to an entree I liked and then doubling back to dessert. Which is how I missed the almond cake.

The most fun dessert were the puzzles. Three to four pieces of chocolate that you assembled and then got to paint in frosting. And HUGE thanks to Brianne, who not only made sure that I got my Figment puzzle and paint brush when they had run out, but got the paintbrush in my choice of colors, and brought out extra colors of frosting for me. This was essential, because they didn’t have purple or orange frosting, and how do you paint Figment without those colors? He’d be off-model!

I didn’t spend too much time checking out the music. There were Disney Broadways stars, and I’m sure it would have been fun to see, but that wasn’t what drew me there. Maybe next time. Because I’ve got a feeling there will be a next time.

Food I had, shared or sampled:

  • Trio of Savory Doughnuts
  • Pop’t Art Handmade Cookie with Hazelnut Filling
  • White Chocolate Figment Puzzle
  • White Chocolate Art Painting with Chocolate Easel
  • Artist Palette Jumbo Chocolate Chip Cookie
  • BLY with Crispy Pork Belly, Tomato Jam and Soft Poached Egg
  • Cobb Salad withSmoked Duck Breast, Avocado Mousse, Nueska’s Applewood-smoked Bacon and Bleu Cheese
  • Sous Vide Venison with Butternut Squash Purée, Pomegranate Reduction, Pickled Turnip and Jupiter Berry Powder
  • Choriqueso Taco served with Chihuahua Cheese, Red and Green Peppers over a Corn Tortilla , garnished with Poblano Peppers and Micro Cilantro (my favorite)
  • Roasted Pork Roulade with Marble Potatoes and Baby Carrots with a Red Wine Sauce Featuring Melissa’s Produce
  • Wild Mushroom Risotto, Aged Parmesean, Truffle Sahvings and Zinfandel Reduction
  • Triple Chocolate Mousse, Chocolate Crunch, Dark Chocolate Sauce and Gold Leaf from Master Pastry Chef
  • 3 Daughters Queens Court Strawberry Blonde Nitro

Fifteen Years Ago

Today’s a big day for me. No, not the voting thing. Though, yeah, that’s important.

But fifteen years ago today, I left my job at the Markell Company, an ad agency that had been home for years, and jumped into the world of full freelance. I’d never really wanted that, but in January of 2001, a switch in my brain flipped and I realized that it was time to go.

It’s been a weird, wonderful ride. I’ve done a ton of work, travelled more than I ever thought I would, met a lot of great people, made some wonderful friends and every day I get to get up and do the thing that I know is the reason I am on this earth.

I’ve done things I never thought I would. As of today, I’ve written two animated TV shows (Ultimate Spider-Man and none-of-your-buisness yet), three short films (with Jon Monson-Foon) and I created three comic series: Love and Capes, Long Distanceand Raider (as well as a 24-Hour Comic Day book, Haunted). I did caricatures for a national commercial. I work on the My Little Pony comic (and a new issue comes out this month!). And that’s just what I’ve done so far. I’ve got another new series coming out next year and hopefully much more.

I proudly call myself a cartoonist.

It hasn’t all been smooth. There have been a few rocky times to be sure. But that’s okay, it’s a wave. Good times, bad times, you prepare for them and keep going. Nothing’s knocked me down for the count yet and I’m going to do everything I can to make sure nothing ever does.

I wouldn’t do anything else. I don’t know that I could.

To everyone who’s come along with me on this ride, thank you! Here’s to another fifteen years, and beyond!


My #NYCC 2016 Schedule

I’ll be at New York Comic Con this week. I’ll be at C12 in Artist Alley the whole show, excepting…

3:00-4:00pm: Signing at the IDW booth

12:30-1:30pm: I’m doing a teaching workshop  Family HQ – 1E16

Also, my “Captain Kirk and His Ladies” piece will be auctioned at the NYCC charity auction. The original and a giclee print (24×6, full color) are a package. This is the only place you can get the green wrap shirt Kirk.

I’ll have two giclee prints with gold shirt Kirk for $75 at my table. And then a more in the smaller 18×5 size, the same as my Doctors Who print at the table for $15.

Also at the table I’ll have Love and Capes, Long Distance, My Little Pony and more, including original art, sketchcards and more. I’ll be sketching all weekend long, and being a mildly amusing conversationalist, too!

My One-Act Play

So, almost a year ago, I entered a one-act play competition at the Fine Arts Association here in town. (Spoiler: I didn’t win.) It had to be a ten-page script, set in one location that you could do on a tight budget. With those things in mind, and probably some others, I went up to Panera, my preferred writing spot, and knocked out a play. Over lunch.

Is it the greatest thing in the world? I’m sure it’s not. But looking back, it’s still fun. I really want to write something Sorkin-esque, and this certainly does pay some homages there. I love sparkling dialogue. Since it won’t be produced, I think it’s about time it gets out to the world at large. So, if you want to read it, download it here.

And while it didn’t win, the script and my story of writing it as I ate a Turkey Cranberry Flatbread did lead to my association with Brian Ward and Team Slushpile for the 48-Hour Film Competitions. So I definitely won something out of it!

My SDCC Schedule

My SDCC schedule:
IDW Booth
2:00-3:00 Room 32AB
Once a staple of the Golden Age, romance comics have faded into the background in recent years, but now they’re making a comeback and tackling a wider variety of love stories than ever before! Carrie Sessarego (Smart Bitches, Trashy Books), Janelle Asselin (Rosy Press publisher), Sarah Kuhn (Heroine Complex, Fresh Romance), Thom Zahler Cartooning (Love and Capes, Long Distance), and Cecil Castellucci (Shade the Changing Girl, The Plain Janes) discuss both classic and new romance comics, some of comics’ most enduring love stories, and the challenges and joys unique to creating romantic stories in comics!
IDW Booth
Booth 2000