Insert Clever Backwards Title Here
Zatanna was really popular at Charlotte this year, including having a set of Zatannas be the artwork models at the charity auction. It's always good to see Zee, but I thought it was particularly cool to see this George Peréz 80s-version.
Here was my run at the character, harkening back to her live magic stage show. This was done at the table at Charlotte, and then taken back home to color.
Black Cat Scratch Fever
My Drawing Board
Between cons and my website, I've been taking commissions. It's one of my favorite parts of doing conventions these days. I just completed a bunch of them, so I'll be posting them the next few days.
Here's the first, a Power Girl commission. The request here was to "show her defiant but not ticked-off". The commissioner was pretty happy with this one.
Building My Own Mousetrap
I do a lot of conventions to promote Love and Capes. I love doing the shows, but hauling my gear to shows is always an effort. For shows I can drive to, everything fits (albeit snugly) in my convertible. The worst for transport is, of course, Comic-Con in San Diego, where I have to ship things across the country.
The biggest hassle, to my mind, is shipping my wire display rack. It's too large to fit into a suitcase so I have to ship it in a big box. The box isn't so much heavy as it is unweildly, but just its size makes it expensive to ship. I've been trying to find a better mousetrap, as it were. I haven't been able to find one, so I decided to make one.
Read on to see how I did it, and how you can make your own.
Domestic Bliss, Superhero Style
The Big Busy continues as I'm packing for my trip to Kids Read Comics and taking care of some last minute clienty stuff. But I wanted to share a new image of Love and Capes. I can't say what it's for, at least not yet. But I think it's a pretty good an indicative image of the new arc of the series.
Summertime, Summertime
Summer. Lost and 24 are over for good. Most of my other shows are on summer hiatus.
But, on the upside, maximum convertible days, so I've got that going for me.
My First Dr. Sketchy's
I finally went to my first Dr. Sketchy's event here in Cleveland. It was located nice and close at the Beachland Ballroom.
For those of you who aren't hip to the good Doctor, Dr. Sketchy is kind of an anti-art school live model drawing event. usually sprinkled with some music and adult beverages. I've wanted to go for a while, but this was the first one that didn't conflict with some other excitement.
It was a lot of fun. It's not all rigid and intense like some life drawing classes are. The people there are there to have fun as well as to draw. They had a contest where, on a ten minute pose, you got to work on the drawing for five minutes and then hand it to a buddy to finish. Then the assembled artists got to choose their favorite and the winner won some prizes. I'm proud to say that my finishes over my new friend Mark's drawings got us some wonderful grease pencils and much needed kneaded erasers. (Sadly, it's the one drawing I don't have from the night, as it was in Marks sketchbook, so he got to take it.)
The model was a Pittsburgh performer and jazz singer, Phat Man Dee. She's the subject of my sketches here. Obviously she's not necessarily the first thing that comes to mind when you think of an art school model, but you have to draw people of all shapes and sizes, and everything's got its own set of drawing problems to be solved and lessons to be learned. She was no exception. She even sang for us, which was a treat.
It's interesting, too, the things you work on in life drawing. I was taken with the way her hand splayed on her hip in one pose, so I did a couple different studies of that. It's moments of focus like that which make these events so good for one's development as an artist. You can always get better, and this is how it happens.
I had a good time there, made a couple new acquaintenances, and who knows, maybe even lined up a new gig. They haven't announced the next Dr. Sketchy's event, but if I can, I'm going to be there.
And, as always, click to embiggen any of these sketches.
And He Sings in "1776"
A couple of weeks ago, the News-Herald asked me if I'd participate in their Ben Franklin Project, a user-created version of the paper. They wanted me to do an editorial cartoon for that edition, preferably something about Ben Franklin. I figured, "Hey, I like National Treasure, I could do that!"
Ben Franklin was our first Postmaster General, and I've obviously had a tight relationship with the P.O. being the son and grandson of a postal worker. I thought it would be cool to show the arc of Ben Franklin and traditional letters transitioning to our e-mail age.
I heard from a lot of people who saw it, so it seems to have made an impact.
Bringing Down the Thunder
Oh, snap. No you didn't!
In other news, page eighteen is done.