Day 22: Animal Man #tzadvent

Day 22: Animal Man Drawing-wise, I kept this one pretty loose. I was attempting to record this (which didn't work) and was working at a lower screen resolution to try to get around the lag. Somehow, working at the larger size kept me from tightening up the drawing. It may not be apparent, but there's a touch of Kubert and Severin in this. At least to my eye.

The tools and Nostromo at this point have become almost second nature now. So I think we're doing pretty well.

Day 21: Red Tornado #tzadvent

Day 21: Red Tornado

I didn't change my workflow at all on this one, but I think I'm getting faster with the programs now. For being a color one, this seemed to go a lot more quickly.

I fought with the pose on this one. I didn't want to skimp and tornadoify his legs. I had to come up with a pose that worked. Him using his powers lent itself to a cool vertical, and I'm pleased with how it turned out.

Four days left until Christmas. Get to shopping!

Day 20: Dark Phoenix #tzadvent

Day 20: Dark Phoenix I've settled into a nice rythym on these. I'm pretty comfortable with all the tools and key commands. There are a couple of more ones that I'd like to figure out how to implement (Quick Mask, Inverse and switch Foreground/Background respectively) but for now, I don't use them enough to make them replace existing ones.

I also tried to screen record making this one. Right now, it seems like recording is causing an unacceptable lag in the drawing tools, so I can't make that work. Maybe I'll see if I can do a uStream broadcast or something like that on one of the next ones, at least. I'd like to post a video ofdrawing if I can do it. I think it might be fun.

If anyone knows how to smooth out the drawing process, I'd appreciate it. I have a new iMac that's pretty fast, so I'm surprise by the added lag.

I've always loved Phoenix, light and dark varieties. I started reading the book after her death, but her long shadow always made her a part of the book. This drawing is based on my memories of a splash page from X-Men 

#175, drawn by Paul Smith. I loved his run on the book. It's what made me start picking it up. My cousin bought his first issue and brought it over for me to read and I was hooked. Smith's art was a huge part of why.

At this point, I've got about ten more drawings to do in this grand experiement. As alwaysm, your suggestions are welcome on Twitter (#tzadvent), Facebook or on email!

Tomorrow! Me! Comics and Friends!

I'll be appearing at Comics and Friends in the Great Lakes Mall here in Mentor, Ohio this Saturday from 2:00-7:00. I'll be signing and sketching and smiling for pictures and many other things that begin with the letter "S". I'll have a chunk of Love and Capes and My Little Pony and other things for sale. Drop by and see me. I'll be the oasis of calm in your hectic holiday shopping.

Day 19: The Question #tzadvent

Day 19: The Question

I used the Question piece to start experimenting with brushes. I downloaded some from the internet, and I'm not sure how well they worked. The inking was good, but they seemed to slow down my computer. I'm not completely sure that the two things are related, though I did see some things about that on the internet. I'll go back to the standard brushes and see what happens.

Still, this is all about experimentation. So totally worth it. I want to try some more.

I really dug the Question, especially the Eighties series. And DC is missing a bet by not turning him into a TV show. Great visual, easy concept, and it would work great.

Day 18: The Phantom #tzadvent

Day 18: The Phantom

I love the Phantom! I first read his strip when I was six, I think. Maybe younger. I think my family just started subscribing to the News-Herald. I remember that first comics page I read, and it was the arc where the Phantom discovered a stegosaurus (Steggy!).

I love the traditions associated with him. The whole Ghost Who Walks thing, the fact no one may see his face and live (except his wife Diana), the good and bad rings, the history of all the Phantoms… I just adore it. I hope to get a chance to work on him one day.

And yeah, I even kind of like the movie. It's one rewrite away from being something really solid, and I loved Billy Zane's portrayal. He seemed to bring the confidence of twenty generations with him, and that was pretty cool.

At this point in the process, most of my commands are set. I'm starting to change the presets on my Cintiq now. There are a couple of commands, like resetting brush size and moving items, that I want to have quickly accessible and I can't get to from the Nostromo. But there are perfectly good buttons on my pen that I can tweak.

Superman/Wonder Woman Sketch Cover

Carol and John's Comic Shop is, well, a comic shop in Cleveland at Kamm's Corners. They're doing a promotion with local artists doingsketch covers to raise money for the local food bank. All I had to do was get to the shop and pick up my choice of blank covered comics and go to town. So I grabbed a copy of Superman and Wonder Woman and came up with a concept for a holiday themed cover. Since I could work on this in my studio, I could put a little more prep work into the image. I scanned to cover and imported it into Manga Studio (yeah, I've been talking a lot about that, haven't I?) and roughed out my concept.

Originally, it was just going to be Superman and Wonder Woman exchanging horrible film versions of themselves. But the back cover was blank, too, and was calling out to be filled. So a Batman joke popped into my head and I figured, "How can I not do that?"

Then, just for filler, I drew the classic Silver Age Fortess of Solitude. Admittedly, there aren't evergreen trees at the North Pole, but maybe Superman transplanted those for the holidays. That's just the kind of thing he'd do in the 70's and 80's.

I did my rough pencils in blue and then, as I'vebeen doing, did a quick loose digital ink pass, too. Then I printed out the pages and lightboxed the art onto the cover, inked by hand and colored with my Copics.

This was a lot of fun.Good luck to Carol and John at the event. I hope to be doing more with them in the New Year.

Day 17: Black Adam#tzadvent

Day 17: Black Adam

Ask me what DC property I'd love to get my hands on, and it won't be Superman or Firestorm, it'll be Captain Marvel (Shazam-flavored). I think the book needs a fun and light touch, and probably to be in its own universe where talking tigers and evil worms can work. One day, I hope to get the opportunity.

I didn't do too much new in the technique or Nostromo commands. I have figured out how to get the zoom-scrub to work off the dial in both Photoshop and Manga Studio, which is nice. And I inked the reflections on his arm bands with a brush tool on its own layer. Normally, doing something like this wouldn't be worth the effort if I were working traditionally, but creating the piece in Manga Studio makes that stuff pretty effortless.

I still have a couple of more commands I want to link to the Nostromo, but I'm not sure that I want to give up any of the other keys. At least not yet.

Day 16: Two-Face #tzadvent

Day 16: Two-Face

Two-Face is probably my favorite of Batman's rogues gallery (with Riddler and Poison Ivy pretty close).It was fun to play around with the patterns on the suit and shirt here.

I think I'm finally comfortable drawing in Manga Studio. I'm going to have to work to really get the background and panel thing down, but laying out and drawing is kind of locked in. That's good. I think this Advent project is doing exactly what I hoped.

Day 15: Matter Eater Lad #tzadvent

Day 15: Matter Eater Lad

I love the absurdity of some of the Silver Age characters, and that's no more prevalent than in the 60's Legion of Super Heroes. Matter Eater Lad had the power of super-eating. He could chomp and digest darn near anything because his stomach was essentially a nuclear reactor.

He's also an example of how the absurd can still work. In the 80's, he ate the Miracle Machine and went insane for a while. It was a cool scene in a more modern story using a character with a ridiculous power.

I'm starting to think about a second set of commands on my Nostromo for Photoshop. I will frequently ink the white highlight lines in a black field (like Matter Eaterr Lad's gloves) as black lines and then do a quick mask, select and invert them to white. I don't have that as a easy key commands yet. I'm thinking through having it be a second set because I think I use those commands when I'm in a different coloring mindset.

The Nostromo is becoming an extension of my process now. So, just about halfway through this project, it seems to be doing what I wanted it to.